By Randy Gladman The glorious invention of digital editing software and plasma flat screen monitors in the 1990s injected new life into Video Art, a previously anemic and fringe visual culture format that had always struggled to compete with Painting, Photography, and Film, its more alluring...

By Randy Gladman Some management gurus say there is no better time to start a new business than in the belly of a recessionary dip. While cautionary conservatism and fearful retreat seem to characterize conventional behavior during bad days, the contrarian view is that economic slowdowns are...

By Randy Gladman Dalek’s first solo exhibition in Canada introduced Toronto audiences to a Brooklyn-based member of a large underground urban art movement that is attracting attention in New York, Los Angeles and Tokyo. While the group is still effectively unnamed, the members of this...

  By Randy Gladman A small TV in a corner of the gallery projects a video of your worst nightmare. Office hell: A shallow space with white walls and whiter lighting, a nondescript table, and a generic clock, hung low on the wall so it appears in the tight camera angle view. The time is...

By Randy Gladman The crowd at Deitch Projects, one of the few vital galleries in SoHo to have resisted the exodus to Chelsea, had already spilled out onto Grand Street by the time I arrived.  This was the first Friday of the 2003 art season and a grand tour of openings had lead me through...