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» Ouverture: Huma Bhabha
By Merrily Kerr | Published 01/22/2007 | Magazine Features
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I think Jesus would be horrified at whats going on, Huma Bhabha quipped in front of J.C., her rendition of a shell-shocked son of God fashioned from scavenged wood and Styrofoam with clay accents. 

» A Flood of Details: Digging Into Yun-Fei Ji's Source Material
By Merrily Kerr | Published 01/22/2007 | Magazine Features
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Yun-Fei Jis monumental new landscape paintings, depicting scenes along the winding banks of the Yangtze River just prior to the areas flooding by the Three Gorges Dam, are composed of imagery sampled from a vast archive of photographs, notes and sketches he has developed on several trips to China over the past five years. 
» Wangechi Mutu's Extreme Makeovers
By Merrily Kerr | Published 04/27/2006 | Wangechi Mutu , Magazine Features
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Artists from Cindy Sherman to Orlan have explored the chameleon-like nature of female bodies for decades. So what makes Mutu’s work unique? Apart from being skilled in montage she coherently refers to race, politics, fashion, and African identity in portraits that pack an aesthetic punch. 
» Torben Giehler's ShockWave Xanadu
By David Hunt | Published 04/27/2006 | Torben Giehler , Magazine Features
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Over the past four years, Torben Giehler’s delirious reworkings of the modernist grid have followed the same trajectory as Mondrian, but their referents – flight simulators, PS2’s stately vector-netted pleasure domes, and the bunker architecture of color-coded Death Stars – is as far from Mondrian’s leaded glass windows, butterfly wings, and cathedral floor plans as a pixel is from a cross. 
» Tom Sachs; A Visit to Nutsy's
By Randy Gladman | Published 04/27/2006 | Tom Sachs , Magazine Features
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It’s a Tuesday night in Lower Manhattan. Race night. I’m at Tom Sachs’s production facility on Hester Street, three blocks from his studio, two blocks from his home. Chinatown. This giant factory is on the third floor of an ancient building that once housed the New York City Police Department’s mounted division.
» The Sanchez Brothers: Young Bloods
By Adam Gollner | Published 04/27/2006 | The Sanchez Brothers , Magazine Features
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The Sanchez Brothers’ art inhabits that region of the mind visited just before sleep. Things seem quite real -- yet are somehow one step removed from reality. 
» Ryan Humphrey's World
By Randy Gladman | Published 04/27/2006 | Ryan Humphrey , Magazine Features
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Walking into Ryan Humphrey’s solo show at Caren Golden Fine Art was like walking into Valhalla; a place where the holy relics of my childhood heroes retired for eternity. 
» Matthew McCaslin: Mining The Urban Divide
By David Gibson | Published 04/27/2006 | Matthew McCaslin , Magazine Features
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McCaslin’s work treads the ground equally held by installation and sculpture. 
» Martin Parr, Mobile Phones
By Dana Altman | Published 04/27/2006 | Martin Parr , Magazine Features
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The incisive vision of Martin Parr made him totally distinctive in the landscape of contemporary art, and many have been trying to paraphrase his vision. His work is a merciless documentary of everyday life. 
» Gladstone Hotel, Toronto: Grand Opening
By The Art Fag | Published 04/27/2006 | The Gladstone Hotel Opening , Magazine Features
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We have never been terribly superstitious, but the Grand Unveiling of the newly renovated and open-for-business Gladstone Hotel was preceded by some fairly amusing, and somewhat portentous omens. 


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Popular Articles
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