Catalogue Essay by Randy Gladman for LE Gallery A vast promise of better times ahead sweeps through the paintings of Matt Bahen. Earthy and grounded, his allegorical landscape scenes whisper of turning points in history. These are the moments when all is finally quiet on the northern front...
Video Art in the Dig...
posted by Randy Gladman
By Randy Gladman The glorious invention of digital editing software and plasma flat screen monitors in the 1990s injected new life into Video Art, a previously anemic and fringe visual culture format that had always struggled to compete with Painting, Photography, and Film, its more alluring...
Why We Collect: The Unique Bond
posted by Randy Gladman
By Randy Gladman A vast array of analytical essays exists in the blogosphere that seeks to explain why we collect art. Like trying to understand why we fall in love, the gamut of explanations is at once highly diverse yet difficult to nail down. The need for decorative embellishment, the expected investment value, the putting on of sophisticated airs, the desire for direct participation in culture… These certainly affect acquisition decisions and add fuel to the art market fire but they do not explain the emotional, cerebral pleasure collectors receive from their art trophies. Ask anyone who truly values the pieces they have acquired and...
Hydroponic Hot House...
posted by Randy Gladman
By Randy Gladman Arriving a few days ago in this wealthy city-state at the southern tip of the Malaysian peninsula in order to attend the third Singapore Biennale, I wondered what type of contemporary arts could thrive in a city whose well-earned reputation is one of fabricated perfection and...
How Street Art is Taking its Seat at the Table of ...
posted by Randy Gladman
By Randy Gladman The website of the Southeastern Centre for Contemporary Art (SECCA) in Winston-Salem, North Carolina, recently posted a six-minute long time-lapse video of the production of an onsite mural painted by the artist Dalek (James Marshall) and his team of assistants. Created for the exhibition North Carolina New Contemporary, Dalek’s vibrant and kaleidoscopic abstraction of video-game aesthetics slowly assembles in front of the camera lens to the beat of a jazzy soundtrack. As I watched the video this past Saturday night, with a touch of cabin-fever inspired by the Hoth-like Toronto winter outside my window, I thought about how...