By Randy Gladman. Originally published in C International Contemporary Art Magazine, Issue 77, Spring 2003.
It’s a Tuesday night in Lower Manhattan. Race night. I’m at Tom Sachs’ production facility on Hester Street, three blocks from his studio, two blocks from his home. Chinatown. This giant factory is on the third floor of an ancient building that once housed the New York City Police Department’s mounted division. There’s even a horse elevator, which will soon be used to transport the components of Nutsy’s, Sachs’s newest installation and most ambitious...